
2024-04-22 00:32:23
<p>When ex-Bunny girl Jayne Gaskin spots the desert island of her dreams for sale online, she decides to risk it all. Trading in their English village home, Jayne and her family relocate to their own private paradise, just off the coast of Nicaragua. And a reality TV crew follows them to film a new show, <em>No Going Back</em>. But soon they all discover that paradise has its secrets. The locals claim the island belongs to them, and it’s been sold illegally. Jayne’s not leaving without a fight. A fight that will soon turn deadly.</p><p>Hosted by Alice Levine.</p><p>Listen to The Price of Paradise on the Wondery App or wherever you get your podcasts. You can binge all episodes early and ad-free on Wondery+. Join Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial by visiting <a href="https://wondery.com/links/the-price-of-paradise/" rel="noopener noreferrer" target="_blank">https://wondery.com/links/the-price-of-paradise/</a> now. </p>
Wondry Plus subscribers can binge all episodes of The Price of Paradise early and ad-free. Join Wondry Plus in the Wondry app or on Apple Podcasts.
The Gaskins are finally starting to feel at home on their dream island, Janik. Small fish dart in the bright blue sea as the children try to tempt them with their homemade fishing rods. Jane Gaskin is relaxing outside in her hammock, eyes closed, feeling the burning sun warm her skin, letting the sounds of the island, her island, fill her senses. Then she hears it, a boat coming towards them. She squints against the sun and scans the horizon.
It's not one boat, there's a bunch of them. Jane waves Phil over to take a look. After the false alarm with the drug boats, they're both on high alert. They usher the children away and watch what now looks like a flotilla of small vessels heading right for them. Jane starts counting, well over 50 people.
One by one, the boats pull up on Janik. The passengers splash out and stride up the beach. Jane notices that some of them are holding machetes.
The Gaskins retreat towards their small shack. Who are these people, wonders Jane, and why are they storming onto her island? But that's the problem. The protesters are from the local communities around Pearl Lagoon and they're here because, they say, line key doesn't belong to the Gaskins, it belongs to the people. It's not and never will be.
Janik. Jane stands firm, she will.
not be swayed by their arguments. We have to try to get you from here. We have invested our money here.
It's our home. It's not real. We're in this world. We would like to bring tourism here.
There are so many people, Jane can hardly hear them all. Some carry homemade posters. Our keys will be defended until the end. We demand shelter for our fishermen. Phil's mind is whirring.
What should he do? As the voices start to die down, he spots his chance. He leans over the balcony in his billowing white shirt and addresses the crowd. If my grandfather sold a house for a bottle.
of rum in England 100, 200 years ago, I have no right whatsoever to disrespect his wishes at the time to sell something. Your grandfathers have traded these keys for 200 years. These keys have got more documentation about them being private than your house or your house or your house.
But Phil is adamant. he has legal paperwork. He's convinced the Gaskins were sold, the keys fair and square, no matter what these locals think. And perhaps, almost definitely, he'd have been wise to leave it there. But now Phil is on a roll and he's going to tell them exactly what he.
thinks. Yet you still disrespect the law of the land and the judge of the autonomous region. Why? Because we're white and because you're racist. No, no, no.
I don't think this is very peaceful.
This is very intimidating. It's safe to say. Phil has won the local crowd over with his groundbreaking, fearless, straight-talking TED talk on racial issues. I'm, of course, joking. Weirdly, they didn't like being called racist, and things are worse than ever.
The protesters turn to leave in disgust. They may not have got their island back, but they've definitely made their point. And it's all been captured on film by the Channel 4 TV crew, ready to broadcast to the world. However, the Gaskins are steadfast. The deal has been done.
This is their island now.
I'm not just going to walk away from this island. We'll put all our money into it. Well, I don't want the money, but I want the island.
And if the locals are going to launch a battle, then the Gaskins are up for a fight.
From Wondery, I'm Alice Levine, host of British Scandal, and this is the Price of Paradise.
Episode 2, Up in Arms.
It's seven weeks before the protest and Phil's staring at the deed the Gaskins were given when they bought the island. It looks legit. And by that, I guess it's typed and signed and has stamps and logos on it. I mean, what does a legit deed for a tropical island that you bought online look like? But Lime Key isn't the only tropical island that's being sold.
Deeds for six of the other islands are up for grabs on the same website. Phil thinks they can't all be bogus, can they? And the simple answer is, well, yes, they definitely could all be bogus. Producer Billy has seen the paperwork too. Phil had shown him proudly when they first.
arrived on the island. I did get a glimpse of the deed that supposedly gave the Gaskins ownership that they'd got when they bought the island. It did say that it was sold to them and was once owned by X and Y. The names meant nothing to me, but they were local names, local people.
But it's not quite so simple, because for hundreds of years there was an agreement that these islands belonged to the local community. They provide a stopover for fishermen and they're also home to natural springs, the only fresh water this far from the mainland. And it's not only the local people who need them. Endangered hawksbill turtles have chosen the islands, including Janik, to make their nests. Nests that conservationists are fighting hard to protect.
So there are a lot of people, and several turtles, who are very unhappy that the keys were sold to foreign buyers, who don't understand the area. None of which the Gaskins knew before they set foot in Nicaragua. But what the locals don't realise, thinks Phil, is that he's got big plans for the island. Of course they'll change their minds when they hear about his new dive resort. It's going to transform the whole region.
Money, tourism, investment. Then the locals will be thanking him. He just needs to sell his vision, get people excited.
Phil decides he needs to start at the top. So the Gaskins get into their custom pink panga and sail to the mainland to meet the mayor of the local municipality, Pearl Lagoon.
But as Jane and Phil sit in the scruffy, bare office, ready to clear this matter up once and for all, it sounds like this mayor has already made up his.
mind. And why do we open? We will not give up our fight around these keys. But what do you actually want? Our struggle to defend our keys will continue.
OK, not how the elevator pitch.
was supposed to go. Phil and Jane are shocked. They're seen as some kind of colonial occupiers, the bad guys. As the mayor stares into his eyes, Phil tries to outline his grand vision for Janik, with all the passion in his voice that he can muster. This is hope.
This is the future. This is.
like Belize 25 years ago. They had nothing and then everything. And this is your golden opportunity.
And what are we doing? Fighting on for it. Phil is nothing if not a salesman. But the mayor is unmoved by their diving resort dreams. He takes a deep breath and speaks slowly to try to spell it out clearly to these Brits.
The properties of the indigenous people cannot be loaned.
It cannot be given by no one, absolutely by no one. It is something that is protected for the use.
and the benefit of the people, and should be passed from one generation to another generation.
There was a bit of a shock when the mayor turned around and said there's absolutely no way that this island belongs to you. It never will. It never has been. And I don't really care about.
your tourist aspirations.
It's fair to say, Jane and Phil are not prepared for how unpopular their arrival is turning out to be. And their reaction is quite a shock to producer Billy.
It weirdly seemed to make them even more determined to somehow stay there and to prove that they did.
have a legitimate right. Let's not forget they don't have a life in England anymore. They've given up their Hampshire house for Janique, sunk everything they had into the island, left family, friends, school. For the Gaskins, there really is no going back. But if they thought it might just all blow over if they ploughed on, undeterred by this little dispute in a remote corner of Nicaragua, they could not be more wrong.
The stakes are suddenly raised because the sale of the keys to foreign buyers has started to make headlines in the national press. An uncertain investment in the keys, says one headline. The pearl keys are being invaded and destroyed, declares another. Yeah, in this case, not all publicity is good publicity. After all of this, how's Phil going to persuade tourists to dive into Janique?
Phil is beginning to feel a deep foreboding about the level of attention now trained on the islands. It no longer feels like something that might just go away as people lose interest. And just a short while later, the pearl keys are set to receive a very important visitor.
Jane and Phil have been invited to attend, as they watch as a group of boats approach the shore. But these aren't local pangas. One is the National Coast Guard, another is painted in camo with an on-board machine gun. The launches glide against the, And now the Gaskins can see their latest visitors clearly. About a dozen people, including a camera crew, men in smart uniforms, and a man in a white t-shirt, a party-branded baseball cap, and big, colourful shorts.
He walks over, flanked by two security guards, one hand outstretched. The President of the Republic of Nicaragua greets the Gaskins warmly. He tells Jane in Spanish, via his translator, that Nicaragua is the safest country in Central America. And then he waves into the crystal-clear waters to join his entourage, the camera rolling the whole time, before turning to the Nicaraguan news group to explain that he's here to protect the islands, to win them back. for local people.
The Gaskins are almost unable to comprehend what they're seeing. The surreal sight of the head of state cooling off in the sea in front of them, when they've finally gone. Jane turns to the camera and seems quite happy to let everyone know she will not be exiled from her own island. And if anyone tries, there's going to be trouble.
I love the smell of eggplant in the morning, that's what it would be.
OK,
a quote from Apocalypse, Now, famously a film that depicts the atrocities of the Vietnam War. That's a choice, Jane. That's a choice. But what's clear is that Jane won't be ousted by anyone, not even the President. But what she doesn't know is that the opposition is about to recruit a formidable new ally.
I was very optimistic. I was young and energetic, and I was passionate.
Maria Acosta is a human rights lawyer and the second woman in our story. She's a single mum in her 30s, the kind of woman who won't shrink away from an argument. In fact, she'll take great pleasure in pulling apart your theories one by one. But with such a warm smile on her face and charm in her voice that it's completely disarming. Don't let that fool you, though, because she is tough and determined.
Maria arrived in the town of Bluefields a few years before. Jane and Phil made their first appearance on the mainland. Shopping for island essentials, if you recall, like washing up liquid and guns. Maria had also travelled a long way into the unknown.
I was raised in the other side of the country, in the Pacific side, and we didn't know much about the other side. For me, it was an adventure.
Maria's hometown, Chinandega, is 300 miles away from Bluefields on the Pacific coast.
and a 10-hour trip cross-country. Like most of Nicaraguans, have never been there, now they have a road, but at that time you had to fly or you had to go through the river.
The port used to be a base for the slave trade, and, before that, a refuge for pirates and buccaneers. Now, it's a real melting pot of different communities. You're more likely to hear people talking in Creole, or one of the many indigenous languages, than in Spanish. And it's the local community that's drawn Maria, a subject she's passionate about.
I was interested in working with indigenous peoples. This is the region where the most.
indigenous and Afro-descendant people live. Maria's here because she's taken up a new job, teaching at Bluefields Indian and Caribbean University, alongside her legal casework.
My work is a very political work, working with people that are disadvantaged, people that are marginalized. I don't see this as a job, I see this as a vocational thing, gives meaning to my life. It's part of what I am.
This is a big move for her, not just because it's far from home, but she's also leaving her two children, Anna and Alvaro, behind with her parents until she finds her feet here. So this has to work. It has to be worth it.
Soon, Maria gets down to business, and it's not long before she's making a name for herself, with some high-profile cases, like helping shrimp fishermen sue for better working conditions.
There were not many lawyers that would take those cases, not for indigenous peoples, and that's what makes my work special.
Maria soon feels at home. She's moved into a cute yellow house on the hill, with balcony views over Bluefields Bay. She's not looking for love, she's far too busy with work, but her friends have other plans. They introduce her to the only man in town good enough for her, as they put it, Frank Garcia. He's a great dancer, he's funny, he knows everyone, and, like Maria, he's divorced too.
At first, she's not convinced they're more than just friends, but as time goes on, Maria starts to feel something more. And one warm night, standing together on the balcony, Maria decides it's time to find out.
I thought, hmm, maybe if I kiss him, I would discover what his real feelings are, and I did. And he responded. very well. I used to tell him, Frank, if I had never kissed you, you would never kiss me. And I said, no, don't say that, don't say that.
But it was how it happened.
Sometimes you've got to take fate into your own hands, and by fate, I mean the make-out sesh. She's a busy woman, she can't be waiting around for a shy guy to kiss her. And her kids were equally as thrilled as me.
You know, he just became part of the family. without saying it. The three of us somehow began to feel the fourth of us.
As Maria settles into family life in Bluefields, she can't miss the arrival of a new woman in town. Jane Gaskin's infrequent trips to the mainland always cause a stir.
She was different. It was weird the way she dressed and the way she acted. She had this bossy attitude all the time. She used to wear, you know, the bra, a bikini, and very, very short shorts. People don't dress like that in downtown Bluefields.
They do that.
at the beach. Maria's going to blush when she sees what Jane actually wears on the beach, or doesn't wear. But let's put it this way, they were different kinds of people with different styles, in every sense. And that would be fine and dandy, except their worlds are about to collide.
Maria is at her desk when she gets the phone call. It's an American woman, a turtle researcher, she says, and she's clearly distressed. One of their local conservationists has been thrown in jail for trespassing while conducting a survey of turtle nests on the Pearl Keys. They used to have free access to the islands to do their work, but since they've been sold online to foreign buyers, everything has changed. Maria learns that the man behind tropicalislands.com, the man who's selling the Pearl Keys off, is an American Greek businessman called Peter Sokos, and a worrying pattern is emerging.
A freshwater spring on one island, used by locals for as long as anyone can remember, has been blocked off behind a concrete wall. No one can access it. Maria hears that some members of the local communities, who have always used the islands, are being driven away by men with AK-47s.
I was shocked. These keys have been part of the culture and the environment and the territory of indigenous and Afro-descendant people that they need for their survival.
Maria's furious because she knows the Pearl Keys well, and they're close to her heart. She first visited the area as a university student and found the islands breathtaking.
Oh, they're beautiful. They're small islands. They have white sand and they have transparent blue or green water.
The Pearl Keys are made up of 18 picture-perfect tropical islands, 20 miles off the mainland.
And there are palm trees, coconut palm trees. It's a beautiful, beautiful place. But it wasn't like being in a movie, you know?
The idea that these fragile, untouched islands are now being sold off to foreign buyers, who are trampling over hundreds of years of culture, tradition, wildlife, just doesn't bear thinking about. Maria's determined to get to the bottom of what's happening and why. First Port of Call is one of the Creole community leaders. We're calling him Jerry, because to protect his anonymity, we agreed to change his name. And his words are read by an actor.
When you see how this story plays out, you'll understand why. Jerry knows everyone involved in the Pearl Keys dispute, and how strongly they all feel about it. And when Maria arrives, he's happy to fill her in.
Those islands belong to the community. It's not for one person to sell. No one is supposed to take it and do what they want with it.
He explains that they're fighting to stop Peter Sokos from selling their own land from under their feet. And now people are arriving on the islands from all around the world.
People need the islands for fishing. And now he's buying them and stopping people from using them. We don't permit anyone to buy them.
Maria wants to help, but it's going to take patience and courage. But he trusts her, and Maria has always been straight with him.
She says it from the beginning, it's not going to be easy. We are going to be facing someone with lots of money, and it can be dangerous. And we need to expect anything to happen.
In a country where corruption is commonplace, Maria is incorruptible. And that's why the local communities have come to trust her. They suspect people with deep pockets and even deeper connections are behind the sale of the Pearl Keys. And Maria is one of the only people in Bluefields, they can be sure is on their side.
I was an outsider because I always put the law first to friendship or any other interest. The legal environment, the legal system was very corrupt. in Bluefields. Lawyers and judges used to go and drink and decide the cases while drinking. And I never did that, never.
So that's why I was considered by them an outsider.
Maria is fearless. Not only is she not having a cocktail with the establishment, she's earned a reputation for doggedly fighting the authorities. And, in the process, a rather unflattering nickname.
The witch. Was funny once when I met somebody from Ministry of Environment. And I introduced myself and she looked at me and she said, oh, you're Maria Costa. You're not a witch, as they say you are. And I was like, I didn't know.
they said that.
But Maria won't be derailed by petty gossip. She has a huge job ahead and she's going to need all her focus to protect the Pearl Key Islands for the local community.
The people in power see this work as a threat.
And soon, this threat will become very real.
Despite the bad press and the mayor's ambivalence towards their business plan, the Gaskins have spent every day since their arrival five months ago trying to build a dive resort from scratch. And they're running way out of time to get it done. behind schedule. I want the record to state that I always believed in Phil's ambitious timeline for the breathtaking Janik resort. Hashtag sponsored, hashtag gifted stay.
The Gaskins still can't dive or even swim, but they have hired more workers and put buff boss Teodoro in charge of them. Billy, resident skeptic from Channel 4,, hasn't entirely reversed his opinion. Teodoro remains an unsettling presence and he doesn't totally trust him, but he has to admit he and the new builders are getting things done. Yeah, you can live with a chilling sense of foreboding if someone's good at grouting. Jane, however, is unimpressed.
She thinks putting Teodoro in charge has just given him license to delegate the hard work to others. Phil and Jane look fed up as they have a good old moan.
about him. Since you told him who's gonna be the boss, you didn't want to work anymore. You just wanted to boss. Yeah. And he wasn't even good at that.
He didn't even bother to do that properly. You had to tell him what are the men doing, Teodoro? How is that boy working? I don't know. You want me to look?
I said yeah, well, it's a.
look, it's your job, you know. But this stuff is small fry. The real issue isn't Teodoro's work, it's what he does in his downtime. As the number of staff on Janik has started to grow, one of the cooks they've hired has caught his eye. Jane sounds almost incredulous as she reveals Teodoro's latest exploits.
The.
final straw for me was when he started messing around with the cook, and then he couldn't even work. She got upset as well, and he's up all night having sex with a cook and expect to be paid for it at the same time. I mean it's just a joke. Preach, Jane,
she's right. You can't be up all night having sex with the cook and get paid for it. That is life. The sooner you guys learn that, the better.
But something about his affair with the cook really seems to be bothering Jane. As for Phil, it's Teodoro's slow progress on the dive resort that's concerning him. At this rate, he's worried they're going to run out of money before the toilet block is even finished. And so, after a crisis summit in the cabin, the Gaskins decide to fire Teodoro. Phil heads out onto the beach and pulls him aside for a chat.
Frowning, Teodoro quickly gathers up most of his things before climbing into the boat. He gazes back at Jane with a look that's hard to read. For Billy, it's a look that means trouble.
In the days following his departure, Phil perseveres as foreman, but it's hard going. They've got none of the right stuff, and it's not like they can just pop to the local DIY store when they need a spanner. The project was going slowly before, but now, without his head builder or the materials they need, it's beginning to feel impossible. But then, out of the blue, just two weeks after being sacked, Teodoro makes a surprise. reappearance.
Producer Billy senses that something big is about to happen, as he sees a boat approaching and Teodoro.
climbing out. He's coming back to get some of his stuff, but also to say a few.
things to Jane. Okay, okay, this could all be fine. He just wants his job back, maybe. Jane certainly sensed it wasn't a friendly drop-in. She actually said, do you?
want to come and film this? Because I'm going to tell him to get off the island.
You don't have to ask a documentary maker twice. Billy readies the camera to capture the latest drama.
Boss everyone on my island, Teodoro. You must love bossing people on my island. There's nothing to say, Teodoro, okay? I don't know how much English you understand. You mess around with me.
Next thing, you mess with the cook.
I remember thinking, wow, she hasn't asked us to stop filming, because this is getting quite personal.
I don't want someone like that on my island. I can't have you here. You don't like me anymore, that's fine, but you don't work here and sleep with the cook in front of me, after you and me. You understand what I'm saying?
As the conversation unfolded, I was really shocked at hearing what came out, because I had no idea that Jane had been with Teodoro. Phil didn't seem to react in a way that you thought he might react with his partner sleeping with somebody else. I guess that's when I realised, maybe, that Phil knew about it all the time.
Billy keeps filming and Teodoro turns away from Jane and walks towards the camera.
He was angry. He'd been muttering about the fact that it was his island, so I asked him, you know, so this is your land, is it?
It's your country, yeah? Yeah, this is my country. One day she's gone from this island. I stayed in my country.
Teodoro seems pretty confident that Jane won't be around for much longer. They all watch as Teodoro storms off and climbs into his boat.
So the boat moves off, he goes, and I thought, well, that's the last that we're going to see of Teodoro. How wrong could I be?
I'm going to say very, very, very, very wrong, Billy. The Gaskins have made a dangerous new enemy.
Next time on The Price of Paradise. The whole family are in shock when a terrifying encounter leaves Phil, a changed man.
Phil, who up until then had been this happy-go-lucky, charming, funny, always pleased-to-see-us kind of guy, looked like a skeleton, ashen white, unshaven, with a hideously burnt left arm.
Follow The Price of Paradise on the Wondery app, Amazon Music or wherever you get your podcasts. You can binge all episodes early and ad-free right now by joining Wondery Plus in the Wondery app or on Apple Podcasts. Before you go, tell us about yourself by filling out a short survey at wondery.com slash survey.
From Wondery, this is Episode 2 of 7 of The Price of Paradise. A note about this podcast, not everything was captured on film at the time, so we can't always know exactly what was said in every moment. In places, our script is based on the testimony of our interviewees and all other sources available to us. The Price of Paradise is produced by Forrest Sounds and it's based on a true story. The production is hosted with additional writing by me, Alice Levine.
For Forrest Sounds, our producers are Ella Cattle and Aaron Keller. The assistant producer is Valeria Rocker. The managing producer is Anne Fitzgerald. The production coordinator is Nina Abdullah. The researcher is Tom Cass.
Executive producers are Pete Sale and Jeremy Lee. For Wondery, our producer is Theodora Leloudis. Our managing producer is Rachel Sibley. Our consulting producer is Brian Taylor-White. The production assistant is Imogen Marshall.
Music composition by Ian Chambers. Sound design by Joe Richardson and Ian Chambers. Our sound supervisor is Marcelino Villalpando. The music supervisor is Scott Velasquez for Frisson Sync. Archive material from No Going Back, courtesy of Ricochet and Channel 4..
Executive producers for Wondery are Michelle Martin, Jessica Radburn, Marshall Louis and Jen Sargent.
Wondery, Wondery, Wondery.
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