2024-06-18 02:39:54
The official podcast of comedian Joe Rogan.
Joe Rogan Podcast, check it out! The Joe Rogan Experience. Stream by day, Joe Rogan Podcast by night, all day!
Jack Collins, gentlemen. What's up, man? Good to see you, brother. What's happening?
So good to be here. This is awesome. Man, Comedy, Mothership, amazing.
You had a good time?
It was so much fun. So cool. We had a blast up there. And everybody was amazing. Ron White came up to say hi afterward.
And was in that booth. Her last name, Lardner. So Kyle Lardner is her name. And she does piano, music, sells vinyl. And she's up there, but I think she said her grandfather, somebody, wrote MASH back in the day.
Oh, wow. The theme song?
Yeah, the screenplay.
Oh, wow.
Somebody related to her, anyway.
Her music. Yeah, right, right.
So it was fun watching the show with her. She knows Ron White, so he came up. That's why he came up and said hi to us. But it was so, everybody killed it. It was so much fun.
And I love how you put your phone in the bag, turn it off, and lock it.
We need more of that in life.
Yeah, it's hard for people to not be distracted. these days. Everyone's distracted.
Yeah, but it was so noticeable. So you're in that VIP balcony, amazing. And then you're looking down, but it is so noticeable now that no one has their phones out. If you didn't have that, you'd look down from that balcony, and you'd certainly see somebody.
Oh, you'd see it everywhere. If you go to the movies, you just see lit up phones everywhere. now. It's crazy.
That's what I was saying. I was saying, I wish they did this in movies.
I mean, phones are cool. They do a lot of cool things. But, man, it's a massive distraction.
I'm working towards being able to hand this thing off.
Yeah? Yeah. Hand it off?
Yeah. To who? Somebody else. It's not me. Hand it off and go to the flip.
Oh, really? I'm not going to be there for a few years.
What about texting, though?
Well, you can still, remember the Blackberry?
Yeah, David Tell was in here, and he was texting. He has a flip phone. He texts with his flip phone. I'm like, what are you doing? I got pretty quick at that.
And his makes the beeps, too. So it's like, do-do-do-do-do, do-do-do-do-do. I'm like, what the fuck are you doing? Uh-huh.
Yeah. I remember doing that, and we did it. Everybody did it. You just kind of figured it out. But it was like, what is it?
Three letters or symbols on each thing.
You can do-do-do-do.
But you got pretty good with it.
Yeah, you can get pretty good. But it's slow. It's slow and stupid. I mean, that's what happened when people started using the letter U instead of U and the letter R instead of A-R-E.
I can't do it. Do you do it?
No.
OK. Yeah, I don't think so. I'm trying to think of your text.
Especially you. You're an author. Nope.
I got to have commas in there. I can't have a U. None of that stuff. Right. So it's noticeable, and people send it to me.
I'm like, hmm. Yeah, a little guy's the worst. That 13 years old, that's all they do.
Oh, yeah. They abbreviate things, too. I always have to ask my kid, what the fuck does that mean? IDK? Oh, I don't care.
Or I don't know. IDC is, I don't care. IDK is, I don't know. I figured that out. They have a whole bunch of them that they use all the time that I have to think.
Yeah.
What? What are you saying? I know.
I look it up sometimes. I Google it. I type it in. What does this mean? And it pops up.
Or then I just get the bruh.
Bruh. Yeah. Bruh. Bruh's a lot. Yeah.
BRUH. That's it. I just get that. Bruh. Bruh.
I'm like, what is that? What does that even mean? Yeah. I saw some meme. It was like a mom texting her kid, and it says texting your 13-year-old boy is like texting someone who's about to break up with you.
Because it's like, hey, how was your day? And it's like, okay. You know, something like that. Right. You know, and it's totally true.
It is totally true. But I'd like to go back. I'd like to hand it off at some point. I'm not there yet, because it's still my office. Yeah.
And all the socials and everything else. The interaction with people. Like, everything goes. That's it.
I think you just have to have discipline. I think my middle ground is have a real phone, real smartphone, but discipline. You know, just no one to put it away. No one to leave it alone.
Are you good with it?
Yeah. I'm good with it. Yeah. I'm pretty good with it. It depends on if I have the day off.
If I have the day off, I'm on that fucking stupid thing. six hours. I'm watching YouTube. Are you really? Yeah.
If I have the day off. Because if I have a day off, I purposely decide to do nothing. Yeah. If I have a day off, I never have a day of nothing. Right.
I have a day of archery. Nice. Working out. Then nothing.
Mm-hmm.
But those days are fucking awesome, man. Yeah. The nothing to do day. Oh, my God. I appreciate those so much.
Do you build one in?
Yeah. I build one in. Yeah. I never work every day. Okay.
I won't. I've done it. I mean, I've done a few times. If I have to go away on vacation or something like that, we have to back up a bunch of episodes. I wind up doing five in a week.
Then at the end of the week, I don't want to lose enthusiasm. Right. Because I feel like there's a balance between discipline and enthusiasm. You got to find out where that is. If I lose enthusiasm, then I don't have as much excitement.
Yeah. Then whatever I'm doing is not as good. Right.
I understand that. Do you ever feel that you have that? I can't tell. looking at it from the outside and knowing you and then watching an episode or listening to an episode. I can never tell if you're off.
Do you ever feel off?
I feel it could be coming, and then I don't allow it to come because I remind myself how fortunate I am and about how happy I would be to be able to do what I did if I couldn't do it. Right. Then I just put myself in that state of mind. Right. That also means a day off is necessary.
Right. Have that day off and chill out.
Are there really days off with family? Yeah, just chill. Isn't that exhausting too?
Family days? Nah, fun. Yesterday we did a Father's Day thing. We went and killed zombies. Nice.
Do you ever do sandbox VR? Do you know what that is? No. Oh my God, it's my favorite thing to do. I fucking love it.
What? Yeah, this is a game called Deadwood Mansion. You put on the VR helmets and you're trapped in a mansion that gets invaded by zombies. Okay. And you have a shotgun just blasting zombies.
Okay.
Nice.
I fucking love it.
Do you go someplace for it?
Yeah, yeah, yeah. It's a place called Sandbox VR and it's out here in Austin. There was one in Woodland Hills too. This is the game. This is what it looks like.
Oh, that's crazy. Yeah, it's fucking dope, dude. Nice. Is that a movie? Oh, yeah, yeah, yeah.
It's like a movie. These zombies come running at you and when they grab you, you have a haptic feedback vest, so you feel it when they're grabbing you. What? Yeah.
What's a haptic feedback? Like it tightens, or you feel like it zaps?
No, it zaps you. It's like a buzz on your chest. It's really fun.
That's awesome.
Oh, I love it. They have a ton of games there too. It's not just that. They have a Squid Games one. They have a Star Trek one.
Oh, dang. They have one where you have duels with people. It's like space weapons.
That's wild. Yeah. It's not just for kids, obviously.
No, no. It's for everybody. Well, obviously, I'm a big kid, but I fucking love it, man. I had the number three score ever in there at one point in time. Dang.
Something to be proud of right there. Fucking one hand.
One hand with the shotgun.
That's awesome. You train up for it? Yeah. We were training up with Taren.
Just a lot of coffee.
Oh, there you go.
Just get a little day. Every gun has a laser on it, so you know exactly where you're shooting and just take headshots on zombies.
I want to see if we have one of those in Salt Lake, see if we can go down there and-.
They probably do. Yeah. They have a ton of them. I know there's one, like I said, there's one in Woodland Hills that we used to have right down the studio in LA. Yeah.
Maybe they are.
Yeah. Is there one? In an area called Murray.
Nice. All right. Yeah. Taking my little guy down there.
You got to do it. It's so fun. Oh, that's perfect.
It's so fun. It's good to know.
Yeah. It's spooky, too. It's really scary.
It looks like. Yeah.
They drop out of the ceiling. Yeah. The ceiling breaks open and a ton of zombies fall down in front of you and they just run at you. Yeah. You got to blast them.
Really?
My little guy liked that. He's 13.. He loves that stuff and he loves roller coasters. There's a, in Salt Lake, they have, I forget the name of the place, but it's called a Cannibal. He made me go with him a couple of years.
I'm not a big roller coaster person. I'm not.
I watch too many Instagram videos of those things going sideways. Yeah. People go flying off of them. Yeah. Not fun.
No.
Don't do that. But he loves it. Yeah. He'll dig this.
I get that people like those thrills. They don't appeal to me.
No.
I used to do them a lot with my kids when they were younger, especially Disneyland. Disneyland, you know, they're pretty good. They really don't very rarely have a fuck up.
Yeah. Yeah. Good point. They're pretty...
Yeah. Yeah. Their safety record's pretty awesome. Yeah.
We did it right before we left and left California to go to Utah, and we thought, okay, we're going to do this one last kind of kid-centric thing with all these amusement parks because my wife and I are not really amusement park people, just surrounded by real sweating and just eating everything, long lines, crying, whining. So, yeah, we did that, and then I think that's it for us.
If you want to find the hazards of the American diet in full effect, go to Disneyland. It's bad. There's so many people on scooters because they can't walk, because they've got too big. Oh, yeah. It's so terrible.
Yeah. No.
Yeah. Sorry, kids. That was your last time that we're going to be at one of those places. Now it's outdoor stuff.
It's fun. It's fun for a day just to eat churros and be a pig and just fucking. just have a good time. But, you know, you have to like allow yourself to just fuck off, eat ice cream and fuck off for a day. Just say, today we're going to fuck off.
That's your day off. That energizes you when you get back into it. so you have somebody. come on the podcast.
Also, I feel guilty for fucking off and eating all that garbage.
So you hit it hard the next day. Yeah.
All right.
Well, I got that sauna after we talked last time. I think it was getting put in last time we talked and I still haven't really been in it because I've plugged it in or whatever. Electrician came and plugged that thing in. It's one of those barrel ones. And so it looks out at the mountains.
It has like this glass thing on it. Yeah, but it just gets warm. Oh, really? Yeah. So we need to have-.
Who made your sauna?
I don't even know.
My wife. You got to get a Solution. This is the guys that did ours and they have serious heaters. Mine gets 200 degrees.
Oh, yeah. This was not-, This just gets kind of not even uncomfortably warm.
Is it infrared or is it a regular sauna?
No, it has the rocks. It has a little thing in it. It has the rocks and all that stuff.
Well, it just gets warm.
I think it's the altitude. I think it needs some sort of an adjustment for altitude because we're about just shy of 8,000 feet.
Right, but it's electric. Yeah. That doesn't make any sense. Yeah, I know. Yeah, you just- I think someone knows what they're doing.
Yeah, we'll get those guys from Solus Saunas to hook you up. They'll just swap out your heater. Okay. You just need a- Like, we have a Hum. I think it's H-U-U-M is the name of the heater.
That fucking thing cranks. Same thing we have in here in the studio. Yeah, you've got to get a real heater.
Yeah, you need to do something. So, that sits there unused, but moving forward. So, I was hearing you talk about archery. So, I have the guys from Total Archery Challenge. They came out, and they put up 22 3D targets all around.
Oh, nice. It's a pretty good course. But days off don't really exist yet. Right. But I need to just make time to get out there in the mornings, drop the kids at school, and just walk that course and shoot.
Well, you're cranking out basically a book a year. Yeah. Plus, you're also working on the Terminalist TV series. Yeah. That is a lot of work, my friend.
It is. My first nonfiction comes out in the fall on the 1983 Beirut Barracks bombing. So, that's a whole other thing. Oh, wow.
Okay. So, you're getting into historical stuff. Yeah.
We have a lot of history in here. I just love history. I always have, since I was a little kid anyway. But I really wanted to start down that path and explore a different terrorist event and capture the lessons learned behind that event so that hopefully, moving forward, we don't have to relearn those lessons in blood. We're not very good at that as a country.
We just tend to relearn things over and over again. We don't translate lessons into wisdom. So, I wanted to try to just do my part and see what I could do in this. I remember the 1983 bombing. It stands out in my mind from when I was a little kid.
Newsweek, Time Magazine, I remember those on our kitchen table. I remember the newspaper in the mornings. I remember the news, watching the news with my family at 5 o'clock and 6 o'clock. And that's an event that, I mean, it changed the course of U.S. foreign policy.
for sure. The shadow is still in its shadow today. But, yeah, I killed 241 U.S. service members and 58 French paratroopers and it was the biggest loss of life for the Marine Corps since Iwo Jima in World War II. So, it's a seminal event in Marine Corps history and in our history as a nation.
But there isn't really a seminal work on it yet. So, I wanted to do that and did that with Pulitzer Prize finalist, military historian James Scott. Amazing guy. So, we've been working on that for the last two years and that comes out in September. But, man, it's go, go, go.
How do you collaborate something like that with a historian? How does that work? Do you send him stuff, what you're working on, and he gives you feedback? How does it work?
So, I had the idea and I wanted one person. I wanted this guy, James Scott. Amazing guy. He has five other books out there, four on World War II, one on the USS Liberty. And I didn't know him personally and doesn't really have a social media presence.
So, I couldn't really get to know him that way, but I just knew his work. And I thought, oh, man, it would be amazing to collaborate with this guy on this project. And so, I reached out and luckily he wanted to do it. He was fired up. Oh, that's great.
Amazing. Such a great guy. So thorough. Because when you do something that's, like here, if you make a mistake, you just say, it's fiction. Right.
But in something like that, you can't make a mistake. And every single quote, obviously, you have to attribute that to the right person in the right way. All the photographs, attribute all those to the right people in the right way. Buy them, put them in there, license them, whatever you need to do. So, there's a lot more to it on that side that I didn't have any experience with.
But he's got that part down.
That's awesome. Yeah.
So, it was an amazing experience and we're going to hopefully kick off another one here. So, the idea was to do one nonfiction every year. As soon as I started down that path of research, I realized it was going to be a two-year, every two-year type of a thing. Because it just so much more goes into it. You just don't create it out of your head, obviously.
You have to interview all these people. You have to go and then follow up with everyone. And then you have to confirm things that people said or all these things. So, there's a lot more to it than I thought at the outset.
How many hours a day do you work? Because I would imagine that, particularly with fiction, you have to avoid burnout, right? You have to be enthusiastic about your subject matter to get the best out of your mind.
Yeah. I mean, I'm so fired up. And so, like you, I feel so fortunate to be doing what I love. And so, it doesn't seem like work, although you're putting in hours. You're certainly putting in hours.
For this one, it took a lot longer than I thought. Because usually these books are about, or in this genre, they're about 115,000 words, between 100 and 115.. This one came in at 150.. So, I kept thinking, oh, it's going to be done December 1st, January 1st, February 1st.
So, that's this one, Red Sky Morning.
Yeah, that's this one right here. So, it took a little longer than I anticipated. But that's just because the story dictates how long. Because people are trusting me with their time. They're never going to get that time back.
So, that's something I take extremely seriously. So, all my heart and soul goes into every word. But I love it.
When James Reese continues to get older, are you going to let him get older or are you going to go James Bond?
I think I'd go James Bond. I think I'm going to do it slowly. Maybe age him slowly. So, we'll see. It's one of those things you have to think about.
Some authors, like Stephen Hunter, Daniel Silva, have aged their character in real time. But that's a 20-plus year series.
Especially if they're out there kicking ass.
Yeah. So, if you start that, they're 40, when they start. They're getting up there now. Yeah. So, it's a thing, especially if you want them to keep kicking ass.
Yeah.
Yeah. I talked to Mark Graney about that, too. The gray man. Right, right. Same thing.
He's going to go, James Bond.
I think so. I think that's it. Yeah.
It's already a precedent, Seb. People accept it.
Do it. Exactly.
James Bond should be 1,000 years old. How the fuck is James Bond still kicking ass? And they've got a new James Bond coming out?
We'll see. We'll see. So, what they need to do for that one. What they need to do. If they asked me, after what they did at the end, and I don't know if we can say spoiler alert, because people haven't seen the last movie, but it ends.
It's very final. how it ends. Allegedly. Interesting way to end, one of the most successful series of all time. But I think you go back and you do those as period pieces.
So, you go back and you start with the first book, and you start it in the 50s, when it was written. And so, you have post-World War II era, Great Britain.
Oh, yeah. And you're doing it.
You have all the cars. So, in the books, he's driving an old Bentley, and it's from the 30s. So, it was written in the 50s. So, it's not the Aston Martin. So, you do that, and you do it true to the books in that time period.
Ooh, that would be very expensive, though. But not really today. with CGI, with AI, what they're able to do now. Yeah. You know, Tyler Perry was building an $800 million studio, and he stopped production on it when he saw Sora, which is the new AI program that almost, I mean, really quickly can render spectacular scenes.
Have you seen it? Have you heard about it?
Is that that one, like, 3D camera they have in Australia?
No. It's a different one? No, Sora's just AI-generated video. Show him the one with Japan. It's Tokyo in the snow.
It's crazy. You can't believe. it's not real, because it's got people checking their bag, looking at their watch, tying their shoe, like normal stuff, pausing to talk to people, and you're looking at it, and you're like, what? This is not real? And apparently, they generate them very quickly.
Think about it in five years from now.
Oh, it's going to be impossible.
Think about it in 10 years from now.
So, this is all AI.
People in snowy Tokyo.
Snowy Tokyo City is bustling. Camera moves through the bustling city street. This is the prompt that made AI create this, following several people. Like, look at this. Oh, wow.
This is crazy. This is fake. You would never, you would think, oh, someone got a camera, and they're filming all these people. Store of a robot's life in cyberpunk settings. I mean, these videos that they can make now are incredible.
And again, this is OpenAI's text-to-video model.
That's crazy.
Sora.
Is that the one that Ashton Kutcher was talking about?
I don't know. I don't know if Ashton Kutcher was talking about that.
He was in the news yesterday, something about AI and something about Hollywood with doing this stuff. But that's killer. They're fucked.
Everyone's fucked. Actors are fucked. Everyone's fucked.
I need to read the, after the strike last year, because there was an actor strike also, as you know, and then the writer's strike as well. So, I don't know. And AI was a big part of that, but I don't know.
It was.
Where did it end up? Do you know where it ended up?
I don't know, but they don't have much to negotiate with, unfortunately. There's an inevitability with this kind of technology. It's like, would you write books with a feather? No. Would you write all the books with a feather?
No. So, like, if I wanted to buy a book from you, I'd have to commission you, and you would have to write out this new book, Red Sky Morning, you'd have to write this out in a feather for every customer. Fuck that. You would never do that, right? Well, that's the thing with AI.
Instead of having people act out movies and having real scenes, and everybody's on set at 6 a.
m.
, that's the thing of the past.
Oh, man.
I really think it's a thing of the past. What they can do now.
This one got announced today.
What is this one? It's called Gen 3 Alpha, I think. I don't know. See, there's a bunch of these different competing AI programs as well. It's not just the OpenAI Sora.
There's a bunch of them. Microsoft has one. I mean, and then these graphic engines, the Unreal Engine 5 is fucking insane.
That's crazy.
So, they have these graphic models now for video games, and Unreal, that's what it's called, right? Unreal Engine 5?. Unreal Engine 5 is fucking bananas. So, this is for video games. So, video games now look almost indistinguishable from a movie.
There's this tiny hint of what they call the uncanny valley, where you can kind of tell that it's not real, especially when you're looking at human faces. But Jimmy will show you. Dude. Like this.
That's crazy. Do you play video games?
No, I can't. Do you used to? Yeah, I go crazy.
I can't do it. You mean you get sucked in?
Yeah, yeah, yeah. I'll be playing it all day long. I have a real problem.
You wouldn't have a podcast?
No, I'd probably have a podcast. It probably would suck, though. I have a very addictive personality with things that are difficult to do. Yeah.
As long as it's something physical like Jiu-Jitsu, you can only do Jiu-Jitsu two hours a day. At the most. Maybe a little bit more. After that, your body just breaks down. And you can only play pool so many hours a day.
But you can play video games all fucking day. Oh, man. And they jazz you up so much. There's such an adrenaline rush. You're so locked into it.
Dang.
And then when I shut them off, I always feel like shit. So, this is Unreal Engine 5.4.. I guess this is the newest version of it.
What?
That's wild.
Look how crazy this looks. That's cool. I mean, this is a video game. So, imagine playing a video game. Right.
And this is the type of graphics that they can do. And again, this is just today. This stuff is moving at an exponential pace to the point where, five, six years from now, you're going to be experiencing this, but in VR. You'll have the meta headset on. And you'll be experiencing this probably on an omnidirectional floor.
They have these omnidirectional. Google. that, Jamie. The new omnidirectional floor. Disney's got the best one.
Do they? Yeah. So, the omnidirectional floor. The way you walk, is the way the floor moves. What?
So, you stay in like an area like the size of this room, right? So, you stay in the center. And everywhere you walk, the floor walks with you. So, you are actually walking, but you're not moving anywhere.
Oh, I don't know. Are you going to get one? Oh, yeah, for sure. Oh, man.
Like, look at this. What? Yeah. This is bonkers.
No, I can't. No.
So, everywhere you go. That's actually a lot smaller than this room. I was incorrect. That's really small. That's like the size of this table almost.
And so, you get on this thing and the game will take you down corridors and alleys. and, you know, you go cross fields and you'll be able to do this. And I'm sure eventually what they'll be able to do is have different terrain. Like, you'll have like a textured terrain or maybe even elevation. You'll be able to go up like a treadmill.
So, you can get a workout in?
Oh, yeah. You definitely can. I mean, I remember when Dance Dance Revolution came, or Evolution. Evolution or Revolution? Revolution.
Revolution? I think I missed that one. Dance Dance Revolution is this game. these kids started playing in an arcade and everybody started losing weight. Really?
Yeah, because it's a dance game where the floor lights up like blue. You're supposed to step on blue. And then, you know, there's like different things that you're supposed to do. There's a pattern on the screen that you're supposed to follow. And you get a score based on how well you keep up with the steps.
All right. So, all these people were like playing a video game, but they're burning insane amount of calories. People are losing like 50, 60 pounds playing this game, which I support. Yeah. Like, if there's a game that can make you healthy.
Right. Fuck yeah. That's awesome. Yeah.
Then you get tired. Maybe you sit down on the couch and go to the other one, where you just sit there.
Right.
And then who's creating this, I don't know, who's moving the country forward?
That's a real problem, obviously. Well, also, they just announced that the former chief of NSA is going to the board of OpenAI, which has freaked a bunch of people out, including Edward Snowden. Does that freak you out, Jamie? Yeah, it's a big smile on Jamie's face. Well, I would imagine they would want to get involved in something like that.
I mean, I don't know why they wouldn't. I mean, I could see, I could put on my conspiracy tinfoil hat thing and say, oh my God, what are they trying to do to us? But Edward Snowden eviscerates OpenAI's decision to put former NSA director on its board. This is a willful, calculated betrayal of the rights of every person on earth. Hmm.
Obviously, he has a beef with the NSA.
They're developing the next super being, which is essentially what they're doing. They're going to develop, whether it exists in a physical form, it only exists on a computer. It's going to be far smarter than us within a matter of a few years. And so, just for national security concerns, you probably would have to have someone go and be there and go, hey, what the fuck are you guys doing? And report back from the inside.
Would you doubt it? Wouldn't you kind of have to have it from, I mean, just to know what they're doing. You can't give them the power. These unelected people, you're going to give them the power to give birth to a god?
I mean, that's why I want to get rid of this phone.
It's inevitable.
I know. Jack, it's not going to help you. That's the whole thing. We're down this path. Just like you said, I mean, the technology is increasing at an exponential rate.
And so what we think is about 20 years off is probably going to be here essentially tomorrow.
It's going to be very, very quick. Apparently, what we're at now is chat GPT 4.0 or 4.0.. And the next chat, GPT 5, is going to be exponentially more powerful. And that's in the pipeline.
Well, it's the manipulation part that we're already. just with social media. I mean, you can take it back 10 years. I mean, Twitter X is similar to when it started essentially. And that's you're getting manipulated constantly.
And it's not just to buy a new detergent like back in the 80s watching a commercial like that. I mean, your thoughts and behaviors are being manipulated by these algorithms and whoever is writing these algorithms. That's a lot of things. So imagine with AI that just went in. The latest update, didn't our phones just get some sort of crazy AI thing in there?
The iPhones do. Yeah. Yeah. And I have an Android. I have this Samsung Galaxy that I'm switching over to.
Really? This one does a lot of AI things like. it translates conversations in real time. It'll summarize websites for you. So if there's a website like James Webb Telescope found some new galaxy, I'm like, I don't have time for this fucking gigantic article.
So give me the summary. And it gives you the summary. It'll summarize it.
Oh, man. It's been accurate?
Oh, yeah. It's really good. And it tells a lot of wild shit. Like you could circle a picture. Like, if you see Jamie, sneakers, like, oh, those are pretty fresh.
You circle it. It'll send it right to Google. And it shows you where you could buy them. instantly. It tells you what it is.
Objects. Like French press. Oh, what's that? What is that thing? What are they called?
French press. Like just from circling. I could take a photo of that, make a circle around it. I'll show you right now. It's pretty crazy.
That is wild. Maybe I should feel, instead of trying to stay away from it, maybe I should embrace it and put the book in it. People can circle it and do whatever they do.
I think you're always going to want fiction. I think people are always going to want fiction. And they're also always going to want to have things that someone has created. I think that's a part of what people enjoy.
Like this. Like the artwork on the walls here that is done by a real person.
I just took a photo of the French press and circled it. And it's given me links to how to buy a French press.
Man.
It's crazy. Dude, this is complete next level.
So is that freeing up time rather than having to go French press? I don't know. It's just cool.
It's not freeing up any time. I mean maybe it is freeing up a little bit of time. I just think it's cool. That's why I like it.
You love all that stuff, though. You embrace new technologies.
I do. But, again, you've got to know what it is. It's like I like whiskey. But I don't drink it every day. I drink a little bit of whiskey every now and again.
I take big days off. I like to stay healthy.
So your personality, you can get addicted to video games and that feeling. But not to other things like whiskey or whatever else. No.
I don't think. So. it's not the same. They're like different. Well, I'm too health conscious.
I could never get addicted to a drug. Although I am addicted to caffeine, for sure. I took a whole day off caffeine and documented it on the internet. At the end of the day, I had a fucking pounding headache.
That headache, right? This is crazy.
I haven't had one of those in a long time. Which is because I haven't stopped drinking caffeine in a long time. But when I used to write back in the day, I used to buy these sodas. There were these bizarre sodas that this liquor store had that were filled with caffeine. Like insane amounts of caffeine.
But they also had hot sauce in them. And these cool colors and flavors. Some of them were dark. They made me turn my tongue dark blue. They had skull and crossbones on the labels.
They were just cool. I remember this was like in the 90s. I bought them just for fun. I was at a liquor store. And I saw you over.
What is this stuff? And the guy was like, oh, it's a crazy soda company. I don't even think they're around anymore. But I bought cases of this shit.
It's probably illegal. Probably.
I mean, I don't know what the caffeine amount was. But it was extraordinary.
Is that when you're writing comedy late at night?
I think back then I was writing a script. I was trying to write a script. And I also write comedy late at night too. And I just like to be caffeinated when I'm writing. When I'm writing, I like to be jazzed up.
Yeah, I do the same thing, I think. The only time I'm not being interrupted is like 10 a.m. still to like 3 or 4 in the morning. I pulled so many all-nighters for this one.
10 a.
m. to 3 in the morning straight.
4 in the morning, sometimes 6, 7.
. If I'm just on a roll, I'm just going to keep going. Because, yeah, deadline's looming. But I don't want to rush anything to hit that deadline, if that makes sense. I want to be the best story I possibly can.
I don't want to get to a certain number of words. Or, oh, the deadline's coming. Let me wrap this up. Never, never. I respect my audience too much for that.
No, I know you would.
And so it's got to be the best story it can possibly be. But that means a lot of late nights. So that goes back to the phone. Handing that off to somebody. Having other people do some things so that I can focus on the writing.
Maybe in some hours that are a little more normal.
Do you think you'll ever get to a point where you say, you know what? In order to do a book the right way, I have to do one every two and a half years.
Maybe. Maybe that was like the norm in the 80s. The Tom Clancy books weren't every year. Oh, really? Yeah, so there was a couple years.
And you didn't know if one was going to come next year, the year after.
So is there pressure that comes from, does it come from the publisher? Does it come from you? Do you, like, make hay while the sun's shining?
I think maybe there's a little bit of that. But I think it became what was expected for recurring characters. So it became Clive Cussler. Maybe he was one of the first to start doing it with the Dirt Pit series that he started. I think the first one was back in the 70s, early 70s.
He passed away a couple years ago. But he started doing them more frequently. And then Tom Clancy was every two, two and a half years. And then we get up to the late 90s and you have Daniel Silva, book a year. You have Vince Flynn, book a year.
And so it became something that was normal. And now people expect it. So I think it's more that than anything else.
Yeah, people get hooked on a character. They want a new book every year. Yeah. Like Graney does a new Gray Man every year.
Yeah, exactly. So that's kind of what the audience expects. And it's fun. It's a timeline that you can hit. Two a year would be difficult to do.
That would be extremely difficult to do.
Yeah. Does anybody do two a year?
I think there's a couple guys who have done it. I think when you get a little, maybe when you get a little older, like John Grisham. So kids out of the house, that sort of a thing. And you don't do all of the other things.
Trying to avoid the wife. Like podcasts. Lock yourself in your office.
Your words.
But I think you can get to that stage where you're not doing, if you're not doing a podcast, and you're not doing social media, and you're not writing a blog, and you're not updating your website. Zero of those things. But you love to write. And all the kids are out of the house. And you already have established a readership from the 80s, the 90s, early 2000s, when there were less distractions.
When we didn't have all these video games. Didn't have social platforms. Didn't have YouTube. Didn't have, on demand, any movie ever made that you can have any time. So that's essentially what you're competing with.
With books. So people read less now. So if you have that base established back in, from the old days, like a John Grisham, then he can do two a year. So you get two John Grisham books every year, every now and again. I think Michael Connelly does the same thing.
But they're not doing the other things. They're not doing that podcast. They're not doing the scripts. They're not doing that sort of thing.
Yeah. Especially like the scripts. I mean, the amount of time. How much time does it take, or how much time do you have to spend working on The Terminalist? It's a lot.
So the first one I was learning. So I was new to Hollywood. So I was learning. But Chris Pratt wanted me involved. Antoine Foucault wanted me involved.
Showrunner David DiGilio wanted me involved. But essentially I'm learning. I'm seeing how this adaptation to film works. And now, after that, it was a few year process. Now I can add more value this time around.
So this time I'm involved in all the casting, which I wasn't before, other than Chris. So this time I'm involved in all the casting. Creating the show with David DiGilio. Writing the outlines. Oh, nice.
Yeah, yeah, yeah. Getting those things going.
They nailed it, man. That show is as close to the actual book as you're probably ever going to get, without it being like 100 hours long.
That's the thing. Some people get upset that there wasn't this scene or that scene. Or these characters get morphed together or that sort of a thing.
There's a clipper on the back of it.
Oh, wow. Look at this. Oh, wow.
It's built in. No way.
How do you do this?
You flip the clipper like this.
Oh, it flips out.
Yeah. That's nice. Yeah, it's great though. Wow. Oh, yeah.
Built in. So you never have to wonder if you have a clipper.
Yeah, that's fantastic.
Yeah, and shout out to Foundation Cigars for hooking us up.
Oh, nice. Oh, look at that. You've got your own cigars right there. I love it.
And they're good.
Nice. Let's check this out. Let's do that right there.
I was very skeptical when he first made it for me.
I was like, oh jeez.
I was going to suck. Yeah.
I did a whole cigar lighting scene in this one, in this book. I have. one of my favorite chapters in previous books was James Reese talking to Caroline Hastings, who's the matriarch of this Hastings family. It's just a conversation. So nothing's blowing up.
No one's getting their head chopped off with a tomahawk or anything like that. It's just a conversation and passing on of wisdom. And I did that again, this time with the patriarch. And so it's Jonathan Hastings talking to James Reese. And he's rolling a cigarette like old school, the way he would have done it back in Africa, in Rhodesia, back in the day.
And then James is doing a cigar, but he's lighting it in the way that he learned from Jonathan Hastings' brother in what was then Mozambique.
Yeah. People get real dorked out on how to light a cigar. I have had conversations. I've done it the right way. I've done it the other way.
I can't tell the difference. I'm too stupid. So it's like the same way I feel about wine. I am never going to be a wine connoisseur. I like a nice glass of wine.
If someone tells me what the good stuff is, I'll drink that. Yeah.
You can tell the difference, though.
Oh, yeah. Yeah. My friend Matt is like a real wine connoisseur, though. He has like a cellar in his house. And he puts on his reading glasses when we go out to eat.
And he goes over all the different vintages. He knows exactly what the fuck he's ordering.
I don't know what I'm ordering.
I ask the lady at the restaurant.
Yeah, that's what they do. They're supposed to know all that stuff.
Like a full-bodied cabernet. I don't know what the fuck anything is.
I put some wine in these. I like to do that. I like to weave in food. Ian Fleming did it. It's kind of like my 007th book.
So there's a lot of little references to Bond in here and Fleming. Oh, really? Some that the most casual watcher of a film will get. And some that probably even the most ardent fan won't get. So there's something for everybody that I put in here.
So that's your seventh book?
Seventh book. 007th.
Damn, son. That's an accomplishment. Thank you. Seven books. Seven books.
That's incredible.
Thank you. Thank you.
I just think about how many hours it is of just sitting in front of the computer.
Oh, my eyes are gone. I mean, it's mad.
Do you still use a laptop? Mm-hmm. I would encourage you to not.
I need to not.
Yeah. You know why? For the keyboard. Keyboard. Yeah.
The keyboards on the MacBook suck. Yeah. I do most of my writing, even when I write. I either write at home on an Apple. It's a really nice keyboard.
There's a lot of trigger travel. It's ergonomic. It's separated. Or I have a ThinkPad. I don't know if you ever used one of those Lenovo ThinkPads.
No. The keyboards are superior. Yeah. Superior to the Apple ones. First of all, all the keys have, like, a little dip in them.
Yeah. So, your finger settles into that little valley. Yep. And then there's a lot of travel. Uh-huh.
It's like 1.
8 millimeters. One of the things I have is 2.2 millimeters of travel. So, as you're typing, you're feeling it. Some guys go so crazy that they want a mechanical keyboard. Yeah.
I'm not there yet. I do have one that Hemingway actually wrote a movable feast on. Somebody, a fan, sent it to me.
A typewriter? Yeah.
He wrote a movable feast on it. It came up for auction right before COVID. So, January of 2020.. The guy that started Newman's Own with Paul Newman. He was also kind of a manager at A.E.
Hotchter. I don't think I'm pronouncing his last name correctly. But he was like a mover and shaker in those types of circles back in the day. And so, he had all this Hemingway stuff. And it went up for auction after he passed away.
And so, I have Hemingway's typewriter. So, I typed a Hemingway quote on it when it arrived. And then I let it sit. Of course, the kids have walked by and, like, you know.
So, it's not exactly Christine anymore. That's kind of fun, though.
That makes it funny.
It's pretty cool. So, I have that right there. But I need to get it. After we talked about this once. And so, I went out and I bought another computer.
Like we talked about. The one he recommended. So, I got it. But it wasn't an Apple one. And like Apple got me.
Like everything is cloud and frigging phone and computer. Like they've just got me.
You can get around that, though.
I'm not good at that sort of thing.
It's not that hard. It's not that hard. You just relearn it. And then, once you relearn it. You already have it in your head.
You know, I have a lot of cross-platform things that I like. That I use. Which helps a lot. Okay. But Apple's notes is one of the best things ever.
Because when I have an idea. I like to just talk it into a note. And then, if it's on my Apple notes. Then it's on my computer notes. So, like, if I have an idea for a bit or something like that.
I can say it in my notes. And then, when I go on my computer. And I just press the notes. It's there.
I need to get better at that sort of thing. I have notepads everywhere. Yellow stickies everywhere. It's chaos.
You don't have it on your phone?
No. For some reason I just don't. I don't know. There's something about it.
Dude, the best thing about the phones today. Is that you can talk to it. You know. Like. you can.
On both. Like the Apple one. And this one too. You just open up a note. And then, when you open up a note.
When you're writing a new note. You go down there. And you press the microphone thing. And when you press the microphone thing. It just lets you talk.
Like here we go.
I need to do that. I need to get better at all that stuff. It's not. Yeah. I'm not good at it.
I send myself emails. I have an email account. That I just send notes to. Or emails to.
Like I could do this. Jack Carr is a bad motherfucker. And this is his seventh book. Bam. Look how quick that is.
Look at that. I do. It was close.
Pretty fucking close. Oh. Look at. They blocked out. bad motherfucker.
Liquid motherfucker. See.
It's already controlling you.
Why is it doing that? See. It's probably. The thing about Androids, though. I should stop this.
It's still recording. Sorry. The thing about Androids, though. Is like. They have so many options.
Of things you could do. You can customize things. So much more than you can on an iPhone. Okay. Now, if you're a person that's already busy.
Like yourself. That's probably not attractive to you. No. It's just too much. Yeah.
But. Like, I've watched like ten videos on this phone. Just trying to figure out all the different. Oh yeah. Stuff you can do.
Oh man. You could use it in split screen mode. Where you can watch two different things at the same time. Two different websites. You get an email on the bottom.
While you're watching a video at the top.
Dude. I don't know.
And it also has a stylus.
I think that's maybe too much for me. Oh, you can pull. Oh man. Oh yeah.
And not only does it have a stylus. But the stylus. It doubles as a remote control. So like. If you want to take a picture with the family.
Yeah. You set up the phone. And then you hold onto this. So you go like that. You press a button.
And it takes the picture.
And those take. That has a better. Camera than iPhone, doesn't it?
I wouldn't say it's better. I would say it's just as awesome. Okay. I mean. People that debate things.
Yeah. The Apple camera is amazing. I still have this iPhone 15.. It's fucking great. Don't get me wrong.
And one thing that I really love about Apple. Is it works with Apple TV. So the best remote for Apple TV. Is your iPhone. Really?
Yeah. Yeah. Yeah.
I'm learning so much today.
It syncs up. So if you have Apple TV. You scroll down like this. And you press this button right here. And it shows you the remote.
It says choose a TV. You choose a TV. And then you control the screen with your remote. So if you want to look something up on YouTube. Or Netflix.
You type it.
Instead of like. Instead of.
Looking for the fuck. It's like old school texting. Alright. But worse.
It's horrible. It's horrible.
This is way easier. You just type it on your phone. And then also you can slide back and forth. To wherever you want in the movie. Exactly.
Yeah. It's the best remote.
Alright.
I'm going to try that. The phone is the best.
I will try that.
That's the best.
The other stuff. I don't know about. But I will try that. Because it's. Yeah.
I'm not good at all that stuff. I'm always like. Yelling at my wife. What, the. What, the.
The password. And what's the. It's attached to your email. It says. Didn't we buy this movie already.
On another thing. Like. Right. I'm not good at all that.
Yeah. That's always an issue. There's a lot going on today.
That's why I like to take a breath. Go upstairs. But I do need that other. Computer. Because I'm feeling it.
For the first time. I'm feeling it. In my hand. Well.
The thing is. If you use. Like. A cross platform. Word processor.
Like. Say, if you use. Microsoft. Yep. If you use.
Microsoft Word. You can access. Microsoft Word. Through your phone. You can access.
Microsoft Word. Through a laptop. A Windows laptop. A Mac laptop. It does not matter.
You can access it. So you have. A Microsoft Word account. Yeah. And so then.
If you store things. In the cloud. Like if you store. Your script. In the crowd.
Or your book. In the cloud. You could access it. From anything you want.
I know. It's so bad.
It's not difficult. That's not difficult. We're essentially.
The same age. But you're so good. At all this stuff. I'm not that good. You are.
You know what you're doing.
Jamie's better than me. And Redband's better than Jamie.
Yeah. That's energy.
It's a lot. Can I come in? Hold on.
I said that. Yeah.
Set up a competition. Oh man. Redband is a super nerd, though. They're both super nerds. It's a lot.
It's a lot. But I need to do something. I need to get. Definitely another computer. For typing.
But I have one that's just for writing. It's a whole other computer. Just for writing. That's smart. Get a new one every time.
This might not be so smart. I get a new one for every book.
Really?
Yeah. Just so it's all clean. And it's like a clean piece of paper. And it's blank slate. And I start again.
And I know that's not necessary. Today. you could probably make a new screen. Or like minimize everything. Or do it a better way.
But I just like it in my own head. Like I'm starting anew.
Yeah. No. That's a good thing to do. Rituals are good. Yeah.
Especially for creative people. Yeah. That's a big part of Steven Pressler's book.
Steven Pressfield?
Excuse me. Pressfield. Yeah. The War of Art.
The War of Art. Amazing.
Yeah. His book is kind of all about summoning. It's about discipline, focus, dedication. But also summoning the muse. Yeah.
And then part of that is like this ritual. Of like showing up. Showing up at a very specific time every day. And if you do that enough, the ideas will come to you. Yep.
And it is true.
Oh, exactly. It's doing the work. Sit down and do the work. You've got to do the work. Or it's not going to.
Obviously, if you don't do the work, you're never going to get where you want to go.
When I first read it, I felt like Pressfield was using the term the muse as like just sort of that. maybe it's not a real thing, but you treat it as if it's a real thing and it works that way. It worked because of the time and focus that you put, like it will accumulate over time. You will get creative ideas. But now, as I'm getting older, I'm not convinced that I was right.
That it's not a real thing. I have a feeling that this is going to sound so weird, but I'm just going to say it. I think ideas are an unrecognized life form. This is what I think. I think creativity is a very strange thing.
What is it? Where is it coming from? Where do ideas come from? Where does a great song come from? Where does a great concept for a book come from?
It comes from your mind. Your mind pulls it out of a lot of things, like your life experiences, your current state of depression or happiness and all the things you've read your whole life. There's so many things that you're pulling creativity out of. But there's a thing that enters into your mind sometimes when you come up with an idea where you're like, that is not from me. That's not from me.
I know this is just popping up, and maybe it's just my ignorance of the way synapses fire, but I'm not sure. Because my thought is everything that exists that human beings have created came from an idea. Like all cameras, all houses, everything was an idea that we got and then we worked at it and manifested it into form. And if the universe has a driving force, when it comes to intelligent life, that driving force seems to be creating things. And I have a feeling that ideas themselves are almost like a life form that injects itself into human consciousness and then encourages and guides people to do things, to make things.
And then they appear and those things encourage more people to make more things. And I think it works that way with music. I think that works that way with comedy. It works that way with literature, with pretty much everything. Everything that's really good encourages more people to do those things.
And then more things happen and better things get made. And I think that's how these things will themselves into existence. They do it through our minds.
Like almost spiritual?
I don't know if I like that word, because it's been co-opted by hippie chicks and dudes pretending to be spiritual to try to get laid. Yeah. I think a lot of spiritual hippies are being honest. Girls are being honest. The guys are.
probably, 80% of them are not being honest. But yeah, whatever that word means. Yeah. It's something. That there's something more to it than this sort of reductionist view of what an idea is.
And if someone says, what's your proof? You know, we have evidence of... I have no proof. Yeah. It's not...
I don't.
. I think the world is way stranger than we think. And I think our existence here is way stranger than we think. I think people have been wrestling with that forever. And for me to just think, oh, the muse is just this like airy fairy concept that you give to the results of hard work and dedication.
No, I think hard work and dedication are important because you summon the muse. I think the muse is a real thing.
And you've come to this over time.
Yeah.
With age experience.
I just don't know. You know, I mean, if the muse wasn't a real thing, boy, it sure behaves like a fucking real thing.
That's true.
It really does behave like a real thing. And when you're living your life right, it seems like it rewards you. It seems like it rewards you like, both mentally, emotionally, physically. Like there's some... There's a guiding force.
It's just we don't know how to tune into it. And I think that guiding force also exists creatively. I think there's a guiding force in terms of like the things you do. Like if you're living your life right and you're doing the things you're supposed to do and you're good to your friends, you're disciplined, and you get to a certain point in your life, you're like, wow, it's almost like fate's real. You know, like there's some guiding forces that are not exact.
They're almost like a radio signal that you're tuning in, but you can't quite get it. It's like it's kind of there, but you kind of have a sense. It's not saying everyone head to the exit. It's not that clear. It's just like this very vague thing.
It's like, I think I'm supposed to do this.
Well, fate's an interesting thing, obviously. I thought about it. You know, I thought about it my whole life. My daddy gave me a book a long time ago, when I was a kid, called The Bridge in St. Louis, Ray.
And it's about these people that are on this bridge. It collapses in Central South America somewhere, and they all die. And the story is about why are these people, let's say there's seven, there might be more or less, but regardless, about that number, a group of people. Why were they on that bridge at that time when it collapsed? And this is an interesting thing to think about.
And I thought about it again in Iraq back in 2005,, 2006 timeframe, because anything could have been an IED. And you're going down the road, you're heading to a target, you're doing a convoy, whatever you're doing. And anything, a dead donkey on the side of the road, trash, whatever, just a disrupted piece of dirt, whatever, anything could be an IED back then. So we got there, and I thought, you know what? I can either be worried about that sort of thing, or I can just accept the fate part of it and do my job at that time as an officer and do my job as the best leader and operator I can possibly be and focus on the mission and focus on the guys and crush this thing.
And that's where my focus needs to be, not on whether that thing's an IED. I've got somebody up in the turret as we're going. They're looking. They're doing that thing. We have some technology that's helping counter some of these things.
Of course, the enemy, though, is adapting to that technology. That's warfare. You're always adapting to the enemy. The enemy is always adapting to you. You're looking for gaps in the enemy's defenses.
You're trying to capitalize on momentum, but they're clever, and they know exactly how we counter things, and they adapt, and, in turn, we have to adapt to that. So I decided to resign myself to fate as far as that stuff goes, so I could just focus on the mission and be the best leader I could be. So fate's an interesting thing.
It is, and it's interesting hearing that from you, because you're talking about it in the most extreme environment that exists, which is war, and that, in order for you to be completely focused, you kind of had to give in to that. That's the only way you'll be able to do your job. And then also, if you're not completely focused, it could wind up costing you or your teammates' lives.
Exactly. That's the same reason. while I was in, all I focused on, and I had to talk to my wife about this, but she understood it, the pendulum's on the side of the team when you're in it. If you're bringing guys down range, maybe you're in a staff job somewhere, maybe not, but if you're taking guys down range, you do not want to be 10 years on from whatever's going to happen down range in Iraq or Afghanistan or somewhere else around the world, sitting on that couch after something goes sideways, wondering if you did everything you possibly could have done in preparation for that event to make the best decisions under fire that you possibly could. So that's why, on the weekends, I was training.
There were people going around the country and the civilian side of the house, so I'd be out there training pistols, training rifles on the weekend, always working out, always reading military history, always reading about Iraq, Afghanistan, so that I was not going to leave anything on the field, because it was just something that I was very aware of, just reading histories of Vietnam and thinking about the guys when they came home from that and just how the enemy gets a vote. You can also do all those things I just talked about, and things can still go sideways, but I wanted to know that I was as prepared as I could possibly be.
And in the margins, in the far ends, those hard days that you put in in training could be the difference between your life or life for your teammates.
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