2024-04-21 00:41:08
NPR's Up First is the news you need to start your day. The three biggest stories of the day, with reporting and analysis from NPR News — in 10 minutes. Available weekdays at 6:30 a.m. ET, with hosts Leila Fadel, Steve Inskeep, Michel Martin and A Martinez. Also available on Saturdays at 9 a.m. ET, with Ayesha Rascoe and Scott Simon. On Sundays, hear a longer exploration behind the headlines with Ayesha Rascoe on "The Sunday Story," available by 8 a.m. ET. Subscribe and listen, then support your local NPR station at donate.npr.org.<br><br><em>Support NPR's reporting by subscribing to Up First+ and unlock sponsor-free listening. Learn more at plus.npr.org/upfirst</em>
I'm Aisha Roscoe and this is the Sunday Story.
Across America, history is often recorded on small markers.
You've probably seen them on the sides of roads, in front of buildings, in the middle
of nowhere.
There are more than 180,000 of these historical markers telling the country's story.
NPR's investigations correspondent Laura Sullivan has been examining these markers
and asking a lot of questions.
Laura joins us now to talk about what she's found.
Hey, Laura.
Hey, Aisha.
So, Laura, before we get any further, you know, I mean, I have to ask, like, why?
Like what got you interested in this particular topic?
You know, it really, it really went back to COVID when I was spending a lot of time driving
around and I started reading all of these markers.
And some were interesting and some were a little bit random and some were really confusing.
And then I started reading this one about a Confederate soldier who had hid under a
house and I thought, okay, who wrote this?
Like, who is writing these markers?
Are these markers even true?
And then I kind of went down a rabbit hole.
It's probably a very deep rabbit hole with these markers, right?
It's so true.
I mean, I close my eyes at night and historical markers appear.
But my partner and NPR's Nick McMillan and I were able to take a giant database crowdsourced
by hobbyists from all over the country.
And we started analyzing the nation's markers, looking for patterns, curiosities, problems.
So what did you find?
Overall, we basically found a fractured and confused telling of the American story.
In many cases, history has been distorted.
You see offensive lies that live with impunity.
But we also found curiosities.
We found humor, joy, and of course, a lot of errors.
And some of them are as funny as they are strange.
Well, I'm very into the strange things in life.
So what were some of those strange things you found?
Well, a lot of states out there, you see them making a lot of bold claims.
We have three different states that claim to have been the first to use anesthesia,
both Kentucky and Missouri claim to be the home of Daniel Boone's bones.
Maryland and New Jersey both claim to have sent the first telegram.
So which one is right?
Who knows?
Well, some historian knows.
But the thing is, and what's curious about historical markers is that they can say anything
that a state or a private group or even an individual wants them to say.
We found more than 35,000 different groups or individuals or people in this country have
put up markers.
When did people start erecting them?
The oldest markers in the database go back to the late 1700s.
But really markers began to take hold in the early part of the 20th century.
Cars were becoming more affordable, highways were getting built, people were getting out
into the open road for the first time.
That makes sense because when you think of these sort of classic square metal markers,
you really do picture them kind of on the side of the road.
Exactly.
And sometimes they're stone, sometimes wood.
One of my favorites is in Texas, which has a marker claiming to be the home of the first
successful airplane flight.
Okay, now I'm from North Carolina and we always say that we are the first in flight.
So what is that marker doing in Texas?
Exactly.
So the marker says it was completed in Texas by a man who was neither of the Wright brothers.
Okay, okay.
I'm sure that people would dispute that.
What other sort of curious markers are out there?
There are a lot of markers to dead animals.
Florida marks a dead alligator named Old Joe.
California marks a dead horse also named Old Joe.
California thought they had a dead mastodon, but the marker then explained that it was
actually a dead circus elephant.
That is very different from a mastodon.
It is, it is.
And we also found markers to ghosts.
There are markers for two witches, one vampire, there was a wizard.
There's also a couple, a New Hampshire marker says may have been abducted by aliens.
But mostly markers highlight the actions of completely dead humans.
For example, Arizona marks the grave of a man, the local town wrongly hanged for stealing
a horse in 1882.
It says he was right, we was wrong, now he's gone.
We was wrong.
Oh my goodness.
So I mean, we have had a real reckoning over how history is told in this country.
And the symbols that we use like monuments and street names, there have been a lot of
fights over this.
Have historical markers drawn that sort of debate?
They really haven't.
And that's because aside from the hobbyists who've maintained the database for fun, there's
no national repository of markers.
And many state officials even told us that there was no way to know how many markers
are even in their state, you know, what land they sit on or what's on them.
Well, that does seem like a recipe for a lot of problems and possibly misinformation.
And that's just what we found.
We found markers all across this country that tell a version of history that's distorted
or even outright false.
When we come back, we travel with Laura to visit some of these markers and learn the
stories behind their complicated point of view.
OK, so tell me if this sounds like you.
You love NPR's podcasts.
You wish they weren't interrupted by sponsor breaks like this one.
And you want to support NPR's mission of creating a more informed public.
If this does sound like you, then it's time to sign up for perks across more than 20 podcasts
with the NPR Plus bundle.
Learn more at plus.npr.org.
If you're hearing this, that means you haven't gone sponsor free with NPR Plus.
Join us on the Plus side for awesome podcast perks across more than 20 NPR podcasts, including
bonus episodes, behind the scenes content, sponsor free listening and more.
Learn more and sign up at plus.npr.org and never hear this promo again.
On the TED Radio Hour, MIT psychologist Sherry Turkle, her latest research into the intimate
relationships people are having with chatbots.
Technologies that say, I care about you.
I love you.
I'm here for you.
Take care of me.
The pros and cons of artificial intimacy.
That's on the TED Radio Hour from NPR.
Welcome back to the Sunday Story, I'm here with NPR's Laura Sullivan.
She's been investigating the nation's historical markers and to understand how America is
telling its own story.
We're heading first to Alabama.
Yes.
Okay.
Let me take you to central Alabama, to Tuskegee.
It was a really rainy day.
It was storming.
And I met with city council member Johnny Ford, who was standing under an awning in
the town square.
Tuskegee is known as the citadel of the civil rights movement.
Booker T. Washington started the National Business League here.
Tuskegee was the birthplace of Rosa Parks.
It's the home of the Tuskegee Airmen.
And Ford points out close to 90 percent of its residents are black.
But in the center of this square is a stone marker with two carved Confederate flags.
It says honor the brave with God as our vindicator, erected by the daughters of the Confederacy
to the Confederate soldiers of Macon County.
That reflects the fight to preserve slavery.
That is not a positive sign for us here in our community.
That's not a fair message.
At the top of the marker, there's also a statue of a Confederate soldier.
It's got a gun facing north.
Ford and many of the citizens of Tuskegee have been trying to remove the stone marker
and the statue for years, but they can't.
Because the thing about this marker and thousands of others across the country is that they're
owned by private groups.
This one belongs to the United Daughters of the Confederacy, a group made up almost entirely
of white women.
The county government, which was all white, gave the land to the Daughters of the Confederacy
to be used as a park for white people.
That's not an exaggeration.
The 1906 deed, still filed across the street in the courthouse, gives the entire town square
to the United Daughters for, quote,
the purpose of converting the land into a park for white people.
They built it in honor of the Confederate dead, which we respect.
Honor their dead, but not in a public place.
Put it in a cemetery.
Put it in some museum.
But museums weren't what the United Daughters were after.
We found the Daughters helped erect more than 600 historical markers, far surpassing any
other Civil War heritage group.
As it constructed a national canvas to rewrite the history of the war.
These markers congratulate men for fighting for the cause, the just cause, the sacred
cause, the lost cause, which was a racist philosophy claiming, among other things, that
black people enjoyed being enslaved.
The markers herald the men's, quote,
unsurpassed heroism and patriotic devotion as they fought to break the country apart
to keep men enslaved, or what the markers call their, quote,
glorious heritage.
One in Harpers Ferry, West Virginia, tells a fabricated story about a, quote,
faithful Negro.
There's one in Grayson County, Texas, which they rededicated in 1996, that says the war
efforts of Confederate soldiers will, quote,
teach future generations patriotism and Southern chivalry.
They put up at least three markers and memorials to Nathan Bedford Forrest, the first
Grand Wizard of the Klan.
They even put up a marker in Concord, North Carolina, to the Klan itself.
That one's been removed.
Lately, Johnny Ford and the United Daughters have been battling in court, but Ford
isn't quite sure who he's fighting.
Who mows it and puts these benches out?
That's the other injustice.
Under my administration, we've spent thousands of dollars taking care of this square.
When is the last time anybody actually talked to one of these ladies?
There are no daughters that live here.
I think they're mostly dead.
They don't pay any taxes here.
They don't live here.
Yet they want to dominate our square.
Hi, it's Laura Sullivan for Mr.
Hinton. Just one moment.
Jay Hinton is a lawyer an hour away in Montgomery.
I represent the chapter, the Tuskegee chapter of the United Daughters.
The case is pending in front of the Alabama Supreme Court.
Hinton acknowledged there are only a couple, if any, United Daughters that live in
Tuskegee or the surrounding counties.
When we looked at the group's tax records, we found most of its wealth concentrated
around its national headquarters in Richmond, Virginia, where the group has amassed
$11 million, with an annual revenue of $1 to $2 million.
When I asked why the United Daughters would want to keep a marker in a place they
don't live, in a town that doesn't want it, for soldiers who died 160 years
ago, Hinton said it's the women's choice to make.
He says despite the deed, the group has always allowed everyone to use the park.
We're we're pretty comfortable and it makes us feel
like good citizens to say that we didn't discriminate and therefore we we
think we get to keep the dirt because we're doing what we ought to be doing from a
constitutional perspective.
Nationwide, though, we found these and other markers from Confederate heritage
groups far outnumber similar markers from Union groups, with more than twice as
many. It was similar with Confederate hospitals and Confederate cemeteries.
We found Civil War markers that vilify the Union, falsify the reasons for the war
and recast Confederate soldiers as the war's true heroes.
Markers about them and the Confederacy are prolific, with more than 12,000
mentions. But while the war was fought over slaves and slavery, those words show
up only about half as many times.
As Confederate groups like the United Daughters disappeared from Tuskegee and
other areas, historical markers gave their organizations lasting and national
visibility. The United Daughters put up markers as far away as Arizona, New
Mexico, Washington, which weren't even states at the time of the war.
Officials with the group did not respond to our request for comment, but in a
statement on its website, the organization says their markers, quote,
simply represent a memorial to our forefathers who fought bravely and that its
members have, quote, stayed quietly in the background, never engaging in public
controversy. But that's not what we found.
Their archival documents show they've been steeped in racism and the power of
markers for a century.
At a conference in 1914, one of the top leaders told the members slaves were,
quote, the happiest set of people on the face of the globe and said it was the
women's job to, quote, defend the slaveholders using markers and other
methods. And they haven't stopped.
While other groups have spent the past 20 years taking Confederate symbols down,
the United Daughters helped put up 47 more markers, proof that the victors of
war do not always get to write its history.
Hello.
Hello.
How are you?
Which is what Brian Stevenson found when he arrived in Montgomery, Alabama, in the
1980s, long before he gained national acclaim for his work as executive director
of the Equal Justice Initiative.
When he went looking for a marker about slavery, he couldn't find one.
When I moved to Montgomery in the 1980s, 59 markers and monuments to the
Confederacy, almost a preoccupation with mid-19th century history.
But you could not find the word slave, slavery or enslavement anywhere in the
city.
As the years passed, Stevenson wondered what he could do.
So in 2013, he called up the Alabama Historical Association.
He says they sounded supportive.
I wanted to put up just some markers that talked about the history of slavery.
I asked, how do you put up a marker?
And they said, oh, just if it's truthful, just give us the information.
We'll put it up. And we went to them.
We gave them a 60 page memo documenting the history that we had investigated.
And we got an email back saying, yeah, your information is all true and correct,
but we can't put up markers about slavery.
That would be too controversial.
He says it was in this moment that he understood what the United Daughters and
other Confederate groups had figured out 100 years earlier.
If you want to own the narrative, write it yourself.
The Equal Justice Initiative has now put up more than 100 markers telling the
stories of lynchings and racial terror.
If we're effective at telling the truth about our history, we will change our
relationship to honoring things that are not really honorable.
We will. We'll create a new relationship to that.
Across town, the Alabama Historical Commission is also trying to create
that new relationship.
Theo Moore, who at the time was the group's African-American heritage coordinator,
pulled up to a new marker the group put up to Claudette Colvin, a young black
woman who refused to give up her seat on a segregated bus before Rosa Parks.
The neighborhood is run down, but the marker towers over the street, solid and
shiny.
This act as a reminder to the people in the community and others that this was a
place of importance.
Although you see what you see around you in regards to the torn down buildings on
this side of town, these type of markers is a reminder to everyone that it wasn't
once all that way.
Do you feel like some of this history has been left out?
That's an understatement, honestly.
We've been taught the same history, especially in the South, and this is how all
these stereotypes come about.
And so there's one way of basically letting people see another side of our history
than what is presented all the time, which is negativity.
Moore says he knows it's just a metal sign.
Most people don't even read them.
But as he gets back in the car, he says they matter because how you tell history
shapes how you see the future.
It sounds like there are some seeds of change underway in some marker programs to
tell these new stories, as Bryan Stevenson said, to, quote, change the narrative.
But what happens with the old narrative, especially, you know, if states don't even
know how many markers there are or where they're located?
It's very difficult to change markers, to take down these old stories.
I mean, some of them are 50 years old, some are 100 years old.
It's hard to even figure out who owns them, who owns the land that the marker sits on.
We talked to officials in Minnesota and they told us that there were more than a
thousand markers in their state and they were able to track down 206 that the state
historical society either paid for or helped put up.
So they drove out to all of them.
And when they got out there, they found that every single one of these markers had a
problem from either grammar issues to offensive language.
OK, well, that doesn't bode well for the kinds of markers that are out there in all
these other states.
That's right. And meanwhile, three states, Georgia, North Carolina and Tennessee,
recently passed laws that say no one can take down any historical marker, no matter
how old, wrong, misguided, confusing or offensive that it might be.
So it seems to be an issue where many states are stuck with the markers they have.
And in other cases, they're only telling one perspective.
Yeah. And that's reminding me, actually, of something that Theo Moore in Montgomery
said as we were wrapping up.
He told me that he tried to read most of the state markers as part of the job.
And he said lately that something's been bothering him.
All these cities named after Creek Native Americans, Wetumpka, Tuskegee,
North Da Soga, Loja Polka, Opelika, Tuscaloosa, that's all Native American, right?
Where, you know, where's their markers?
Is he right? I mean, are there markers talking about Native Americans?
And their history and heritage?
I mean, yeah, we found more than 15,000 markers across the country that mentioned
Native Americans. But what we found is that the history on them often isn't theirs.
I mean, hundreds of them still call Native Americans savages, hostile or use racial
slurs.
Is this where we're going next with this story?
We are. We're heading to the Midwest, to the frontier, where we found markers
that really glorify white settlers, but vilify Native Americans.
And I saw this on a recent day in a 170-year-old cemetery in New Ulm, Minnesota.
We're in the Pioneer Section, Track A, and that's where the Dakota war burials are.
Darla Gebhardt is a historian and researcher here with the Brown County Historical
Society. And she took me through the cemetery.
We're going to head right over here.
She walks past row after row of faded gravestones until she reaches a small
clearing.
So here it is.
Oh, it looks very old.
Yep. In front of her is a soapstone and marble marker, an obelisk, each side carved
with writing. It begins, In memory of those who fell in the defense of New Ulm in
1862.
On this side, it honors those who were.
In memory of those who.
Something by the Indians.
Yeah. Yeah.
And I believe that that word might be massacred, massacred by the Indians.
And that is an objectionable word today.
Objectionable, Gebhardt explains, because it takes sides.
And if there are two sides on the American frontier, NPR found the nation's
historical markers come down solidly on the side of white settlers.
We found at least 200 markers that tell an eerily similar story.
Native Americans killed innocent white settlers in cold blood.
Gebhardt knows this tale well.
I'll show you what was going through their mind if we come over here and you'll see
the gravity of it.
She stops in the middle of several dozen gravestones.
These are the people that were killed.
The names have faded with time.
John Schneider, Julius Fenske, Ernst Dietrich.
But the writing underneath is clear.
Killed by Indians, killed by Indians, killed by Indians.
You have entire families that lost their lives.
This is what the reality was for them in 1862.
This was the reality for many people who lived here.
It just wasn't the reality for all the people who lived here.
The direction we're facing now is basically south and we're looking out over what
would have been in 1862, the tall grass prairie.
John Robertson is a member of the Sisseton Wapitin tribe and descendant of Minnesota
Dakotas. He's standing at the edge of an expansive field in southern Minnesota known
as Chauncey Yopi, its homeland of the Lower Sioux Indian community in an area the
federal government calls the Lower Sioux Agency.
Even today, you don't see any trees, and that's the way it would have been for 250
miles.
This grassy prairie is a story full of twists and turns, the most recent being three
years ago when Minnesota agreed to return 114 acres to the tribe, acknowledging the
land had never belonged to the state in the first place.
When tribal members took possession of the property, they also happened to take over
management of 22 state historical signs.
Robertson says many of them told a similar story.
You know that at this point, this poor settler family was massacred, blah, blah, blah.
And they had no defenses.
The women were violated and the children were taken, blah, blah, blah.
I mean, that's the kind of language that are on these markers.
The signs wind their way along a series of trails.
Robertson says tribal members spent a long time considering each one and then they made
a decision. They decided to take them all down.
They decided they wanted to tell their own story.
On a recent day, I went with Robertson and a team of people as they headed out on the
trails to see how the signs were coming along.
As the crew banged new signs into the ground, they tossed the old ones into a heap on
the grass. Robertson says it wasn't just the ones that called them savages or
described violent acts that troubled him.
It was all the signs that didn't even mention them, as if the tribe's history here
hadn't happened at all.
To show what he means by this, Robertson walks over to an old stone building.
Standing next to him is Amber Annis.
She's Cheyenne River Lakota and vice president with the Minnesota Historical Society,
which is helping replace the signs.
Annis picks up the old sign.
It says Stone Warehouse across the top.
She reads the rest.
It is 43 by 23 feet, 20 feet in height, with a good substantial cellar, eight feet
deep. The cellar walls are three feet.
The first story walls, two feet, and the second story walls, 18 inches thick.
Period. That's it.
Robertson shakes his head.
The sign, with all its dimensions, isn't wrong, he says.
It's oblivious. The Stone Warehouse was the spark that started the U.S.
Dakota Wars.
This was the flashpoints of the actual war beginning here and the
establishment of the conquered status of the Dakota Nation.
It's the reason all those white settlers in the cemetery died and an untold number
of Dakotas with them.
This contained all of the food that was to be distributed to each family.
The Dakotas were once one of the most formidable forces in the Americas.
They were known for their brilliant political and military strategy.
But after the U.S. government took their land and prohibited them from hunting or
farming, the tribe was forced to accept a treaty.
One of the things it promised was food payments from the Stone Warehouse, except
in the summer of 1862, the government, mired in the Civil War, stopped providing
food. According to letters from the time, the federal agent in charge locked the
warehouse and the main trader told the Dakotas they could, quote, eat grass or
their own dung. Facing starvation after years of broken promises, the Dakotas
declared war. What's the new, what does the new sign say?
Eon Ohinakpi Tipi.
So that would be place of storage house.
The warehouse was a central scene during the outbreak of the U.S.
Dakota War in 1862.
Its contents were burned out during the war, but the structure remained.
The sign goes on to explain the dire situation the Dakotas were facing.
And as Robertson and Annis continue down the gravel path, each new sign tells
another piece of the story.
The loss of the land, the arrival of the Europeans, the decimation of the tribe.
Amber Annis says that Native Americans are used to markers telling only one of two
stories. Their ancestors were either psychopathic murderers or inept victims who
disappeared. Being Native, you grow up, wherever you go, you know it's going to be
something that's not true. I have two daughters, my children.
I think about them a lot and how when they come to places like this, they'll be able
to see themselves as young Native children in different ways.
Some of the new signs detail the Dakotas' military successes, including a stunning
victory over a brigade of soldiers on the river.
But Robertson and Annis know how the story ends.
The federal government marshaled hundreds of soldiers until the Dakotas surrendered,
executed 38 of them without a trial and removed the rest of the tribe from
Minnesota. Robertson says he's not trying to change that history.
He's trying to explain why it mattered.
Hopefully, when you read it, the sign is going to speak to you in a different and
continuing way.
That's the goal of the sign.
Then you would say, I heard something about that or I want to know more about that.
And it's going to be alive for you.
I hope.
Throughout the state, though, the signs speak the same way they did 100 years ago.
One in New Ulm tells how, quote, savages massacred nearly all the whites.
Another uses a racial slur and concludes Native Americans, quote, had no pity for
women or children.
So now we're on the Brown County Courthouse lawn.
Darla Gebhardt, the Brown County historian, makes her way up a patch of grass to a
large marker honoring the pioneers.
It's paying homage to the pioneers who founded the territory of Minnesota.
But couldn't the Dakotas say that they founded?
Oh, absolutely.
Absolutely.
And so if Dakota would put up a marker saying this is our homeland, they would be
absolutely correct in doing so.
But this idea of dueling markers, that stories that can be told in two ways should be
told in two ways, is problematic for historians.
What if people only see one sign?
What if people want the old signs because they just like the old stories better?
One of Minnesota's most beloved settler families is, after all, that of Laura Ingalls
Wilder. What is lesser known is that for a time, the Wilders built a home on tribal
land without permission, land that belonged to the Osage Nation.
These two true stories, one of courageous families who helped build a nation and
another of Native families who lost nations, can be told together, but they rarely
are. On the back of the courthouse pioneer marker in New Ulm is the name of every
town resident who died in the U.S.
Dakota Wars fighting for their families.
We couldn't find any marker in Minnesota that lists the names of the Dakotas who
died fighting for theirs.
Darla Gebhardt said a member of the Dakotas asked her about this once.
I was doing a downtown tour with a Dakota person, and she asked me, what do people
in New Ulm think about the Dakota War?
And I said they don't.
And then this person said, well, why is that?
And I said, because we won.
OK, so let me ask you something, when Darla Gebhardt says we won, she's referring to
white settlers, right?
Yes. And this gets at the heart of the question about historical markers.
Who were they written for?
The we that makes up New Ulm today is all kinds of people.
I mean, their residents are just as likely to be descendants of pioneers as they are
Native Americans.
There's immigrants, old immigrants, also new immigrants.
I mean, there's Californians who escaped COVID.
So many markers, it seems, have been meant to entertain travelers.
But now after a century and with so many of them, it does seem like they've become a
sort of history book for the nation.
To me, they almost seem like the nation's first social media campaign.
You know, you know, kind of an analog one, to be sure.
But just like with social media, there is hate.
There's also joy as well.
And even in some rare instances, sometimes markers can unlock long forgotten
secrets. So I'm sensing that you have one more place in mind to go.
I do. I have one more place.
OK, and so where are we headed now?
Well, if you want to understand just how much power historical markers can wield, we
have to go back to Alabama to a dusty two lane highway outside Gadsden.
When we come back, Laura tells us the story of a marker that uncovered secrets about an
unsolved murder.
I've just met up with Jerry Smith, he's a local from the Gadsden area in Alabama, and
he's pulling his car onto the highway and he's taking me to a place where someone was
murdered. Do you want to go kind of north?
v1.0.0.260408-1-a910ba6_os